Origami by Marjorie Evasco

This word unfolds, gathers up wind
to speed the crane's flight
north of my sun to you.

I am shaping this poem
out of paper, folding
distances between our seasons.

This paper is a crane.
When its wings unfold,
The paper will be pure and empty.


Why I Write

On occasions like this when I am asked to talk about my poetics the image of the Great Heron standing in the mudflats comes to mind. It is an image that brings me back to a long bus ride I once took with my parents from Tagbilaran City to the town of Ubay to visit my grandparents for the summer vacation. I hated those bus rides because invariably, too many people were crushed together, and under the seats were all sorts of odds and ends-- potatoes, bananas, dried fish, corn grits and chickens tied at the feet to be sold at a public market in some town. There were fewer buses in Bohol then and when the one we took blew one of its tires, it meant a tedious wait in the middle of nowhere while the driver walked to the nearest vulcanizing shop.

I was a hungry, hot-tempered and testy 10-yr. old from the heat and dust when our bus stopped in San Pascual, a barrio 25 kms. from our destination. But my father hoisted me down from the seat, brushed the white lime dust from my hair, and led me up a hill where the cogon grass swayed to a pungent breeze. From this lookout point, the rice in the paddies were ready for harvesting.

“Watch,” my father instructed, pointing to a pond where two carabaos were cooling off. Suddenly, my father clapped his hands, and as if by magic, a flock of white birds flew out of the water behind the clump of cogon grass. The birds circled and took my heart with them as they flew away.

“Herons,” my father named them. They were perfect in flight, and as the child I was, I must have associated beauty with motion. I must also have associated magic with the way the hands can call forth things, and the way names can fix in memory a moment of transient wonder.

Many summers hence, far from my family and away from the island of Bohol, I began to learn the language of flight, dream and memory I now call poetry.


Today's Poetry Friday is being hosted by Susan Taylor Brown. Click here to go there.

Hoedown: The Fabulous Eleanor Stewart

Hoedown from Rodeo from Eleanor Stewart on Vimeo.

Eleanor Stewart created this stop-motion animation for her final year degree in Visual Communication at the Glasgow School of Art.

The very talented Eleanor blogs here. Check it out to see more of her work.

Going West: Stop-Animation

This is a gorgeous piece of work. The book is by Maurice Gee, an important and prolific New Zealand author who writes for both kids and adults. The design is by Andersen M Studios, and was commissioned by the New Zealand Book Council.

It may take a few viewings to acclimate to the NZ accent, but it's worth a repeat or two . . . or three. Be sure to watch till the end.

Procrastination by John Kelly

This says it all:

Poetry Friday: The Moon's the North Wind's Cooky

The Moon's the North Wind's cooky.
He bites it, day by day,
Until there's but a rim of scraps
That crumble all away.

The South Wind is a baker.
He kneads clouds in his den,
And bakes a crisp new moon that . . . greedy
North . . . Wind . . . eats . . . again!

-- Vachel Lindsay



Today, Poetry Friday is being hosted at Elaine's blog The Wild Rose Reader. Click here to get there!

Self-Discipline the Joyce Cary Way

It's something I struggle with daily -- finding the will to write. The work is hard. It's sometimes isolating. There are days when it seems hopeless to even consider myself talented enough. And so I find ways to distract myself until I gather the courage to finally stop avoiding it. The only person who will write my books is me. Life is too short and the work too long . . .

During these times, I often turn to a description of the author Joyce Cary's last months and days of writing. Amyotrophic Lateral Sclerosis (ALS) struck Cary and he died in 1957. I wish I could credit the writer, but I have been unable to locate that information.

So, how dedicated are you to your craft?

He ceased working in the top attic as the stairs became impossible for him and began to use Trudy's old private sitting-room on the ground floor as his study. He had metal grips fitted into the walls of the passages at various strategic points and with their aid and that of a stick could for a time get about without other help. When the disease attacked his hands he contrived a sling with an elastic band which could take the weight of his wrist and leave him free to write . . .

He was in bed all the time now and working under heartbreakingly difficult conditions. He now had a bed-desk invented by himself and made for him by his next-door neighbor, a magistrate whom Joyce called "the Judge". A roll of blank paper ran underneath which led across the desk to another roll on which the used paper was wound.

At first, he still had enough movement in his right hand to be able to push the paper forward as it was used. When this, too, became impossible his son Tristram devised an electrical switch by which Joyce dropped his wrist on a button and the paper moved forward automatically. The hand itself was supported by a sling and the pen or pencil was fastened to the fingers.
You can read more about Joyce Cary here.

Germans in the Woods from Rauch Brothers on Vimeo.